Also need to do all the extra stuff that was added to the playroom before starting. Astro Bot is a showcase of a developer working at the top of its game, but most importantly a developer that keeps fun and playfulness at the forefront of everything it does. Finally though I want to highlight the fantastic score, because like its levels, it bounces around genres, delivering consistently catchy head bobbers, on top of slightly remixed versions of iconic Sony soundtracks.

The hardware quality is also mixed, with one customer reporting no marks or scuffs on their unit. But what I really love about Astro Bot is that it’s also just filled with bits and pieces. Stuff to roll around in, stuff that forms little piles that can be kicked about.

Not a lot of games to compete with in that field, but I’m sure it’s great. @MrMeeeseeeks Many of them are from the defunct Japan Studio that was shut down by Sony in 2021. Those devs are also real gamers with passion and vision who made tons of classic and unique games back then.

The stunning visuals, great sound design, interesting story, and amazing gameplay round out a near perfect release of a game. The story of the game isn’t all that compelling; however, the fact that it’s able to tell a story and make it understandable without a single line being spoken means something. The motivation of the game is to rescue the missing crew members of the now-broken PS5 mothership due to the damage caused by their nemesis. It’s nothing fancy, yet somehow it’s able to sneak in amazing interactions between the bots, and that just makes everything a lot better than I think it actually is. @Yousef- I never said it was for “helpless people who already can’t beat the game”.

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To add to this, the game’s callbacks to its older and other IPs by integrating character designs into Astro Bot are amazing as well, since they’re instantly recognizable the moment you see them. The animations are also a work of art since they took time to make unique interactions for the special bots. Unlike our last update Winter Wonder, which was a walk through the Xmas park, this new update features harder levels to test your jumping skills. Each level comes with a brand-new Special Bot to rescue and, once that’s done, can be replayed in Time Attack mode with online rankings.

Environmental puzzles and exciting set pieces await players in Astro Bot’s dozens of stages that can take anywhere from a couple minutes to a quarter of an hour to complete. OK 8386 of PlayStation history will be very tempted to spend more time on each stage thanks to the many nods to past franchises and moments. I won’t talk about the other buildings players can build in Astro Bot’s hub world, but rest assured they are great as well, giving players extra incentive to hunt down every single collectible. The bird costs 200 coins, so players have to give up some gacha pulls to use it, but it’s a great way to keep players from getting stuck. Spending coins in the game’s shop unlocks dioramas, ship paints, and costumes for Astro, even some based on unexpected series such as Bloodborne and Gravity Rush.

Normally, these levels are as brief as 30 seconds, but they require perfection and give the game a taste of trial-and-error it otherwise consciously rejects. Each bot you find returns to the (mostly) safe zone, the Crash Site, which acts like a hub world you can explore and decorate. Here, the game carries forward the same PlayStation Museum vibe seen in Astro’s Playroom, albeit to a lesser extent. You won’t explore past PlayStation consoles, but the mothership you’re trying to repair is just a giant PS5, and the spaceship you use to explore the overworld is a DualSense controller with wings. It feels a bit like that meme of Obama awarding Obama a medal, but it’s not distracting, so ultimately, it’s fine. I haven’t seen a platformer marathon through so many varied, whimsical, and blatantly cool ideas like this before.

Your job as Astro is to go around to all the planets and collect your friends. The games have lots of fun platforming to execute, with grappling hooks and hover-jumps and all kinds of fun things. There are also plenty of alien and robotic enemies and bosses to take on.

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Mario gets various power-ups throughout the game and often they only feature a couple of times — it’s like that. And it’s the same in terms of level design as well, just a huge level of variety that means certain motifs and mechanics are explored only once or twice. In my opinion, the variety and constant new ideas is a big part of what makes this game great, but it sounds as though that might not align with your taste. If you liked Playroom overall, though, you’ll definitely like this. I read the review, not worried about spoilers in a platformer, and I’m wondering how many of the different one off play mechanics felt gimmicky? I really like platforming but going back to Playroom I really hate that climbing gyro mechanic, doesn’t feel fluid or natural at all.

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Grab the snowball from them and roll it around until it gets nice and big. Then look for a wall that has two little blocks on the side and an open spot in the middle. Once you land in the final room, where the normal exit appears on top of the lamp, turn around and climb up the stone wall behind you. At the top, break the pot and you’ll notice that the shards appear to float ahead of you. Walk out onto the invisible platform and look down at the sand below you. You’ll see the stone platforms many feet under Astro will start to glow while you’re above them.

Astro Bot levels are beautiful, brought to life by genius art direction and some of the best graphics on the PS5. It all feels so alive thanks to how the DualSense controller reacts to what players see on the screen, with Astro Bot making great use of the DualSense’s haptic feedback and speaker. It’s a shame that most other PS5 games don’t even come close to utilizing these features to their full potential. For those hoping to get as much playtime as possible out of the package, Astro Bot packs in plenty to do. There are secret levels to find, puzzle pieces in each level, a gacha machine filled with outfits, and a home base that evolves into a full-on playground over time.

In recent years, major video game publishers have abandoned that idea. While Nintendo still reveres that power, once great sanctuaries for kids have crumbled as publishers have set their sights on courting “mature” audiences through photorealism and weighty themes. Video games are richer for that change, but young — and young at heart — are getting left behind, stuck wandering the vast desert of Roblox games with nothing but their parent’s credit card in their pocket. There are also small regions to fix up with extra puzzles for Astro and his friends. A lot of modern entertainment, including video games, has a real problem with nostalgia bait, playing off people’s memories and trying to capitalize on that, without making anything new or original in the process.

Sometimes there’s just basic, fun references to classic characters, in-world jokes using PlayStation hardware including zip lines made from PS1 controller cords and the like. However, at other points, you take on the powers of key guest characters from PlayStation’s past. There is, for instance, a God of War stage – I don’t want to spoil the others, most of which I liked even more, but Kratos has appeared in marketing materials thus far so I felt like the best choice for showing an example. Really, the whole game feels as if it were created to push as much ‘stuff’ as possible. [newline]Objects break, give and collect in huge numbers lending the game world a tremendous amount of life. As you rescue bots, for instance, they gather on the game’s central planet and the engine has zero trouble displaying all of them at once. You can recruit them to help you out and it’s a joy watching them all gather in huge numbers.

Team Asobi releases a new update for Astro Bot, adding the final level and cameo from the previously announced Vicious Void Galaxy DLC. The game’s popularity has continued well into this year, after becoming one of the surprise hits of 2024. Not only has Astro Bot claimed a bunch of industry awards and game of the year titles, but it continues to keep players coming back with new DLC levels as well. “For Astro’s Playroom, there have mainly been two types of audiences,” says Doucet. They’re mostly the type who crave more colorful games and want to go back to 3D platformers. These players are also happy to see how we treat the PlayStation heritage.